Miranda July is a filmmaker, artist, and writer. Her videos, performances, and web-based projects have been presented at sites such as the Museum of Modern Art, the Guggenheim Museum and in two Whitney Biennials. July wrote, directed and starred in her first feature-length film, Me and You and Everyone We Know (2005), which won a special jury prize at the Sundance Film Festival and four prizes at the Cannes Film Festival, including the Camera d’Or. Miranda July’s most recent film is The Future (2011), which she wrote, directed and stars in. July recently co-starred in Josephine Decker’s Madeline’s Madeline.
Her fiction has appeared in The Paris Review, Harper’s, and The New Yorker; her collection of stories, No One Belongs Here More Than You (Scribner, 2007), won the Frank O’Connor International Short Story Award and has been published in twenty countries. Her latest book is It Chooses You (McSweeney’s, 2011). Her novel, The First Bad Man, became an immediate bestseller and was named one of the New York Times 100 Notable Books of 2015.
In 2000 July created the seminal participatory website, Learning to Love You More, with artist Harrell Fletcher and a companion book was published in 2007 (Prestel); the work is now in collection of The San Francisco Museum of Modern Art. She designed Eleven Heavy Things, an interactive sculpture garden, for the 2009 Venice Biennale; it was also presented in Union Square in New York (2010)and by MOCA in Los Angeles (2011). Her email-based artwork, We Think Alone (commissioned by Magasin 3, Stockholm), launched in July 2013 with nearly 100 thousand subscribers and continued through November 2013. Other participatory art works include New Society (a performance), Somebody (a messaging app). and an interfaith charity shop in Selfridges department store in London, presented by Artangel. She recently directed the new Sleater-Kinney video for 'Hurry On Home.' July is currently making a new feature film, produced by Plan B and Annapurna. Raised in Berkeley, California, July lives in Los Angeles.
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Photo Todd Cole