When The Corrections was published in the fall of 2001, Jonathan Franzen was probably better known for his nonfiction than for the two novels he had already published. In an essay he wrote for Harper's in 1996, Franzen lamented the declining cultural authority of the American novel and described his personal search for reasons to persist as a fiction writer. "The novelist has more and more to say to readers who have less and less time to read," he wrote. "Where to find the energy to engage with a culture in crisis when the crisis consists in the impossibility of engaging with the culture?"

Five years after publishing the Harper's essay, Franzen became fully engaged with his culture. The Corrections was an enormous international bestseller, with translations in 35 languages, American hardcover sales of nearly one million copies and nominations for nearly every major book prize in the country - Franzen was awarded the National Book Award for this novel. As if sales and critical acclaim weren't enough to boost his profile, the author found himself in a public relations imbroglio over his conflicted reaction to his book's endorsement by Oprah's Book Club.

Jonathan Franzen's first novel, The Twenty-Seventh City (1988), was a reimagination of his hometown, St. Louis, through the eyes of conspirators and terrorists from southern Asia. His second novel, Strong Motion (1992), was a thriller-cum-love-story set in the student slums of Boston. Both books displayed Franzen's ability to connect the personal and the political, the emotional and the social, in compelling and richly textured narratives.

Born in Western Springs, Illinois, in 1959, Jonathan Franzen grew up in Webster Groves, Missouri, a suburb of St. Louis. After graduating from Swarthmore College in 1981 he studied in Berlin as a Fulbright scholar and later worked in a seismology lab at Harvard. Franzen is also the author of a bestselling collection of essays, How to Be Alone and The Discomfort Zone. He recently published a new English translation of the play Spring Awakening by Frank Wedekind. His short stories and his essays, including political journalism, have most recently appeared in The New Yorker, The Best American Essays, The New York Times, and The Guardian.

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"You will laugh, wince, groan, weep, leave the table and maybe the country, promise never to go home again, and be reminded of why you read serious fiction in the first place."

— The New York Review of Books, on The Corrections

“Looms as a model for what ambitious storytelling can still say about modern life . . . Franzen swings for the fences and clears them with yards to spare.”

— The New York Times Book Review, on The Corrections